‘Mirror Mirror’ (2012) review: A new type of vanity fair
‘Mirror Mirror’ a cute, predictable take on Snow White
‘Mirror Mirror’ a cute, predictable take on Snow White
‘Prometheus’ a visually stunning, if flawed, ‘Alien’ prequel
‘The Raven’ an insult to Poe’s achievements
‘The Lucky One’ a typical Nicholas Sparks book-made-movie
‘The Grey’ a stunning, visceral experience
‘Cabin in the Woods’ takes a chainsaw to horror genre
‘American Pie’ sequel a hit-and-miss rehash
‘Wrath of the Titans’ nothing but pretty pictures
‘Hunger Games’ a slow start to trilogy
‘John Carter’ loses its soul with its blockbuster appeal
‘Gone’ somehow suspenseful even when nothing’s happening
‘Magic Mike’ more than gyrating bodies on a stage
‘Ted’ a bit hit-and-miss, but always funny
‘Project X’ the new ‘Animal House’
‘The Artist’ a reminder of what’s great about movies
‘Margin Call’ a fantastic, humanizing look into financial crisis
‘This Means War’ a directionless rom-com
‘Chronicle’ a sleek, fast-paced fantasy
‘Safe House’ a well-acted action flick
‘The Avengers’ a fun, if hectic, battle royale
‘Man on a Ledge’ surprisingly tense if uninspired
‘Haywire’ a fast-paced blend of genres
New ‘Underworld’ as dead as its sleek heroine
‘Contraband’ another cookie-cutter Walhberg movie
‘Beauty and the Beast’ (3-D) still enchanting as ever
‘Devil Inside’ a lackluster ‘Paranormal’ ripoff